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Daniel Day-Lewis Expresses Frustration Over Method Acting Being Compared to ‘Behaving Like a Lunatic’ – And That’s Exactly Why It Captivates Us

It has been quite some time since the public caught a glimpse of the acclaimed actor Daniel Day-Lewis. Following his statement in 2017 that he would no longer work as an actor, prior to the debut of The Phantom Thread, the actor quietly faded from view. Yet, during his hiatus, his legend expanded further.

The Mythos of His Method

Largely, this reputation centers on his preferred approach to roles. As someone known for immerses himself in his characters – for instance, while filming Lincoln, reportedly asked the director call him “Mr. President” throughout the shoot – audiences has grown increasingly obsessed with how he works. Is it true he actually sent messages to co-star Sally Field in character as Lincoln? Was it accurate that he only eat animals he’d killed during Last of the Mohicans? Did he insist on being spoon-fed for My Left Foot?

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Now, Day-Lewis is back to public attention, somewhat reluctantly, promoting his latest movie Anemone. And he is taking this chance to vocalise his anger at how the Method technique is perceived. “I am somewhat annoyed nowadays to hear all kinds of people gobbling off and saying things like ‘fully embraced the Method’, which seems is meant to imply that someone is acting insane in an extreme fashion,” he told a major publication. “Everyone tends to focus on superficial details of the work, and those details typically include some form of self-punishment or a situation that imposes upon oneself a severe discomfort or mental instability. However, in the life for a performer, it has to principally be about the inner transformation.”

An Industry Full of Followers

Frankly, it appears like Day-Lewis has emerged from seclusion and found himself shocked by the acting community that has been created in his image. If you’re regarded as among the best actors in history, and your approach involves headbutting a dummy to the point of injury (for Gangs of New York) or enduring two days in solitary confinement without food or water (during In the Name of the Father), it’s natural that fellow performers will attempt to fill that vacuum by trying to mimic their idol.

Functionally Italian … Lady Gaga starring in <em>House of Gucci</em>.
Functionally Italian … Lady Gaga in her role for House of Gucci.

In other words, we exist in an environment populated by half-cocked Day-Lewis impersonators who want nothing more than to demonstrate the sheer amount of dedication they put into their roles. On the milder side of this trend we have people like Lady Gaga, who was determined to earn an Academy Award for House of Gucci that she spent the entire promotion attempting to persuade people that she became an Italian native over 18 months in preparation.

Additionally, there is Jared Leto, who chose to deeply embed himself in the character of the Joker (for Suicide Squad) by sending “horrifying” presents to his castmates. These items, according to various accounts, included dead pigs and rats to anal beads and used condoms, though the actor refuted the most extreme claims. Then, of course, we have Jim Carrey, who went so deep into Andy Kaufman during Man on the Moon that filmmakers literally managed in creating a feature-length documentary from behind-the-scenes footage of him causing difficulties to the utmost for everyone around him.

The Modern Followers of the Method

The main practitioner of the Method currently would appear to be Jeremy Strong (formerly Day-Lewis’s assistant), whose approach while filming Succession was so laboriously intensive that it became the subject of a derisive magazine feature, including statements from individuals who were either concerned about his conduct (“It’s the cost on himself that worries me,” said co-star Brian Cox) or annoyed beyond all measure by his actions (“I remember him causing others roll their eyes,” stated an anonymous cast member).

Daniel Day-Lewis claims he ‘never intended to retire, really’

There are numerous additional cases. Andrew Garfield went celibate for six months for Silence. Leonardo DiCaprio slept in an animal carcass for The Revenant. There’s a fighting chance that Austin Butler continues to talk in the style of Elvis, years following that film came out. Each of these instances, in part, aims to evoke the seriousness in which Day-Lewis approaches his work.

A Noble But Uphill Battle

Moreover, while his fightback against method detractors might be noble, a short publicity tour might not be enough to alter perceptions, not to mention their practices. Maybe if he wants to make audiences recall the true essence of the Method, or to show them its potential results, then Day-Lewis’s best bet is to simply start making more films. Certainly everyone would support that idea.

The writer

Jason Mcclain

A tech strategist with over a decade of experience in digital innovation and AI-driven solutions, passionate about simplifying complex tech concepts.

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